America, You Broke My Heart

I know I don’t need to go into the specifics of this year’s presidential election. We all watched it and felt it in various ways. But the endgame isn’t what many of us saw or hoped for. At this moment I haven’t eaten anything solid in almost 24 hours. My stomach actually dropped when someone passed by this morning and I saw the headline with the winner declared and a smug if not disturbing grin on his face. 

I went to sleep when the odds weren’t in the Democrats favor figuring I’d wake up to the sad confirmation. One of the first things I thought when I opened my eyes was that I finally understood the way my grandmother saw America. My grandmother was born in South Carolina in the 1930s. This is a state known for having some of the highest rates of (reported) lynchings in the early 20th century. Colored vs. White was the norm for her and she never expected to live to see a Black identified president. She probably did not expect to live to see a female and sadly she may not. But she’s always been hesitant when it came to embracing the perceived “greatness” of this nation as well as it’s supposed welcoming nature. She's a woman who saw the hardships of Blacks (and allies) fighting for the right to vote. She’s a woman who was called the N-word to her face regularly. I am of a world when it’s said under wraps and even then punishable by shame and other consequences depending on the party. I was born during the Reagan era not feeling the effects directly of his and his cabinet’s hold. Today though I woke up to see America split in half and it’s a viewpoint my 83-year-old grandmother never stopped seeing. 

I came into work to a morose staff. My co-workers’ faces and eyes rimmed red from tears. One co-worker who is often jovial gave a slow shake of the head to say “No, I am not okay.” We left it at that. I asked around in my department. Some are very open to discussing it others prefer to respect that they want to remain in their misery for the moment or for a longer duration. I understand both sides of this. 

I am not so much worried for my immediate physical safety. I don’t think someone is going to come and hit me over the head with a brick after this electoral process. (Perhaps that’s naive and very privileged of me.) I’m in a blue state, in a blue city but that does not mean that racism isn’t apparent. (Hell, I was called a monkey only two months ago in my neighborhood on the way to work.) What I am more concerned about are our civil liberties. Rights that have been attained through hard-won fights. Roe vs. Wade, Obama-care, Same-Sex marriage, EPA, sadly we lost the Voting Rights Act last year (and I do not doubt that had an impact on yesterday’s results). It’s these specific laws that are currently in place I worry may not be retained in the upcoming presidency with an entirely GOP/conservative base taking over every area of the U.S. government. I’m also worried about artist colonies, grassroots campaigns, and other nonprofit organizations seeing a severe drop in funding. Let’s be clear: A maniacal, xenophobic, reality TV show star is now the United States’ president-elect over a competent political officer. The reasons for that are being continually analyzed.

Thus far blame is being placed all over. Primarily with the (I hate to say it) president-elect and his supporters, where it should be. But then there’s also blame thrust at the 3rd party supporters due to the narrow margin wins in battleground states. There’s the apathetic who simply didn’t vote and whose turn out could have possibly switched things around. There’s Clinton herself for not reaching out to the PoC/Native demographic more or not being as some oddly and unfairly said (likeable). There’s the Bernie Bros who may have split the vote in some areas. The finger points all over but the biggest issue is the one people like my grandmother have been aware of and never shook off in the first place: This is a place not made for us but built by us. And by “us” I mean the marginalized who were and remain the most terrified of the results. “Us” as in those who hoped, really hoped, that this would be a blow out and instead we see that even by some narrow margins this country remains in many ways broken.

I’ve had my heart broken before. I’ve been broken in general. You do or don’t learn to sweep up the pieces and reattach what you can to keep going. I’ve seen friends broken more than myself and do amazing things, gather themselves up in a way I didn’t know possible, and proceed to make change for themselves and others. I have to come to terms with the fact that I’m a citizen of country that has always been broken. My grandmother saw it, she and my grandfather spoke of it to me and my now (ex)-husband. They spoke of keeping to themselves, of being second-class citizens, of the underlying fear of how you speak to white people and knowing your place at all times. But then there are those who won’t sit by and take it, not that that makes them better or my grandmother weak, it’s a different frame of reference. I thought of those who had been broken (broken bodies, broken hearts, broken minds) who pushed through if not to survive (it’s own form of activism) then to show we deserved a seat at the table. This made me think of the March series I recently read about John Lewis’s life and his pursuit of justice, of equality, of recognition. There’s a moment when all he says is: “We march” over and over. When told about the issues, the potential violence that may ensue, what is at stake not just for SNCC which he headed but for those helping SNCC and the larger Civil Rights Movement he did not waver: “We march.”

I don’t want to make light of the feelings so many people have right now. My Muslim friends in red states fearing for their lives. The co-worker and her girlfriend who got engaged when the same-sex marriage law passed. Those who rely on Obamacare to get the medications they need for mental and chronic physical illnesses. My transgender & genderfluid identified friends who have fought to see their genders recognized and not placed in the binary. Yesterday the Dow Jones dropped, stocks are wavering, and who is to say the unemployment rate may not skyrocket so that we’re veering towards another Great Depression. Perhaps that is too bleak or not bleak enough, but the concerns are valid based on what we’ve seen of this party, of it’s candidate, and of those coming into office. 

When I woke up I saw that nothing had imploded, yet. People were rushing to work. The courthouse I live near had cops stationed out front as usual. People were ordering bagels with cream cheese from the vendors. The subways were actually somewhat efficient this AM as well. And yet, the underlying feeling for many is that we are broken and broken-hearted. But we keep on, we make strides, we make progress. And I do believe in that. I believe in what we can do because I know too many good people not to see that on a daily basis.

So, while America has broken my heart this time, I can say I believe I know how to pick up the pieces, at least for now. 

See you at New York ComicCon!

In the next week I'll be on/moderating 3 panels. Two of which are at New York ComicCon this week!

First up is the Women and Gender-Nonconforming Writers of Color in Digital Media panel on Thursday, October 6th at 1:30pm!

Second is the Geeks of Color Episode IV: The Force Awakens panel on Saturday, October 8th, also at 1:30pm! There'll also be a Geeks of Color meet up after the panel at 2:45pm in Room 1C03.

If you're around in general would love to see/meet you! I'll be wearing (WNDB/MiP) buttons!

A Reminder: Your Voice/Work Is Necessary

Last Friday, I had the opportunity to read at the 5-year anniversary of the Boundless Tales reading. What I read, and submitted, was a portion from my short story collection. Yes, the one I've been working on longer than I like to admit though not as long as I guess warrants complaint to some.

If I'm honest, I haven't looked at my fiction, let alone this collection, since I was at VONA in June. For the most part I've dedicated myself to writing a lot of nonfiction this and much of last year. When I returned from VONA I was tired, dehydrated, hot (read: irritable), and stuck on what to do to fix my work. This is par for the course, at least it is for me. You get a lot of feedback and suggestions. You receive some blows and some praise you have to sit with. Plus, your mind is filled with all this (potential) material as you return home from priorities you briefly escaped and now have to deal with.

I think a form of escape for me has been nonfiction because it ties to a reality and I can better report that story. It's a different way of thinking but there are correlations to fiction and fiction writing, hence the genre tags of narrative nonfiction and creative nonfiction. I have professed I am not a "fast" writer. It takes me a long time to get it “right.” I feel dejected that the output isn't generated as quickly nor is what seems complete actually done.

For more than two plus months I put this collection aside. I figured, as I have before, perhaps the collection is not the work that will be my debut. Perhaps this is not the tome that will land the agent or the publishing deal, despite the requests for full when it’s done, despite the intrigue on faces when I describe it. Perhaps I have a lot more work to do elsewhere to help me get to where I want to be. In my most recent podcast interview with my friend Rion Amilcar Scott he said that spending years on something "unpublishable" isn't the worst thing that can happen. You learn from it. It's its own form of education.

But then, I went to Friday’s reading. I had applied to be part of the anniversary reading when I was at VONA, before my work got critiqued, when I thought I may actually finish it in fall. I was the last reader of seven. It was a small, hot space with a packed crowd. I was glad to see three friends in the audience and several familiar faces. I waited and listened to local poets, playwrights, and fiction writers read their work and applauded them all. I looked around before I went on and whispered to my friend, "I am the only reader of color on this roster." She gave me a slow nod and said, "I know."

I wasn't so much worried about how the audience responded, but I talk about racism, I talk about a mother almost losing her child in a store, I talk about insecurity and identity in a span of 6 pages. We'll see how this goes, I thought.

I went up, a camera was on me from my right and another directly in front of me. I made a few quips about how wonderful Queens is but don't move her because my rent is low (for NYC), please and thank you. Then I read. I got laughs when I didn't expect it, gasps on certain (very descriptive) lines, and I saw when I panned the audience people paying close attention. When I finished there was applause, but it felt different in a way, it felt like they hung on to every word and truly grasped the trepidation of Mikayla as she almost lost her child.

When people grasp your hand and tell you they appreciate your exploration of humanity, it means a lot. When people give you a hug and say "Are you a mother? Because you got that spot on," it means a lot. When people stay back to tell you they really enjoyed their work, it means a lot. When someone emails you that they taught one of your published stories in their writing class, it means so much. And it especially means a lot because—what you don’t admit out loud—is that you doubt yourself. When I read Mikayla’s piece to the audience, and later again to myself, I was reminded how much I loved it, how much work I put into it, how it was successful in many ways. This was one of those times I needed a reminder. And sometimes those cues come just when you need and least expect them.

The Balance of Being an Artist and an Activist

I spent a couple thousand dollars on a new  website and I have barely blogged. That is going to be rectified now. 

My sporadic blogging has been, in part, because of my increased activism and roles in working to implement change in the industry. This also means I need to make change for myself. There's the podcast (now two years old), by the end of this year I'll have been on/moderated 8 panels, I still volunteer with WNDB, and speak out against problematic texts (see here for an example), and am part of several other groups doing very specific work on similar issues for separate demographics. All this doesn't include the more physical toll you see of those who protest and organize protests, those meeting police officers face-to-face, fighting the judicial system from within and outside to make sure that citizens see justice, and also those directly impacted who become symbols for new movements and protests across the nation and the world. There are those in the belly of the beast and those watching/commenting from the sidelines. Activism is different for everyone.

What is real is that this work is taxing. And the creative life is already pretty damned taxing as is. There's the story collection I've been working on for 8 years that a respected author gave me a deadline of 1 more year (9 more months at this point) to finish before moving on to something else. The nonfiction proposal that's been a long-term consideration that I'm getting into gear completing because of my grandmother's decline in health. There's the latest young adult novel started almost two years ago I'd love to get back to, but demands research and me getting unstuck from the middle portion of it. Not to mention there's a new novel I refuse to begin until I finish one of those larger projects mentioned above and send it off to agents/editors along with many essays/articles I'd like to pitch. I am never at a loss for ideas, which is a good thing, but it also means where do I get the time to fully flesh out these ideas to completion. I am a perfectionist and I am also a "methodical" writer. It takes me months/years to draft and from there the edits may be ongoing until we hit the point where I and those critiquing my work are satisfied. I work a full-time job and have ongoing freelance work.  My time is often split between many projects I very much believe in. 

My goal this year was to scale back. And I have. Compared to 2015 my volunteer nonprofit work has greatly decreased, so has my aggravation. But that doesn't mean the irritations of the entertainment world have lessened. The array of offensive materials being produced, the daily coverage of this "circus" of a presidential election in the U.S., and the expectations of being "a loud mouth" leave you in a place where you're looked at to comment on material that those with publishing deals and titles on bookstore shelves are hesitant to voice in public. When you're emerging or aspiring or whatever adjective you want to place in lieu of "unpublished" it appears that you have less to lose. It's a pressure that I've felt and a responsibility I took on because I was and am tired of seeing these books and movies come to pass at the expense of marginalized voices. But after a while that balance, or attempt at balance, takes a toll. 

On Sunday a ridiculous video surfaced on YouTube--I will not link to it--of a self-published author titled "The Problem with Diversity." I won't get into details of how this arose or came to pass, but let's just say the diversity advocates and marginalized writers lost it online. Many watched it in part or in full. Many ranted about it for hours and through many threads. And that's when it hit me: I am exhausted. My answer, every time, to the question "How are you?" is tired. I am tired of getting riled up when another book and another one and another one publishes that is hurtful and harmful. I am tired of the non-marginalized getting up in arms about why diversity is a problem to them. I am tired of people NOT listening or acknowledging their privilege no matter who they are. That doesn't mean the work isn't necessary. Though it does mean one, namely me, has to change gears. I refused to watch that video. Instead I did laundry while editing a couple episodes of my podcast. Instead of ranting about that video I continually RTd info and signed a petition about the pending Dakota Access Pipeline that shouldn't happen at all. Earlier that evening I finally got a chance to send an article I had pitched. Today, I plan to revise a story and start the introduction for my essay collection while awaiting edits on the proposal. 

Essentially, what I have decided is that I can keep fighting, and I will in my own ways. But that I want to celebrate as well as educate. There are two VERY problematic books coming out this month for young readers, one by a non-marginalized woman on slavery (in dialect no less) and another by a woman of color scribing hurtful accounts of people of color. I'm not going to spend my time reading those books in full. I did that for two projects in July that stalled my writing because I was mired in disgust for what those authors created. I have too much on my plate to get sidetracked in that way again. There are others who are aware and they can speak on it. I'll do  some work, I'll let people know, I'll reach out to the creators of those works to let them know where I and some others stand. But at this point I need balance and I need my own words to speak for me in a form that is not only about critiquing those who are clueless. My balance will be to focus on my work more. As Toni Morrison said racism is a distraction from us getting our work done. Beyond the activism I am an artist and that part of me needs to be recognized as much as the "loud mouth" who refuses to remain quiet on the issues. 

AmpLitFest "Mind the Gap" Panel Video

Hey! Long time no write! If you're looking at the website you see it is new and fabulous! Thanks again to Bonnie Chan for the design.

So it's been a busy few months, let alone year (dare I say even more than 2015) and I have lots going on. One of which is panels! Being on them and planning them. The video below is one of the four panels I was on in June at AmpLitFest to talk about diversifying publishing. Had a great time with MiP guest Zareen Jaffery, William Johnson, and Leigh Stein. Look forward to next year and thanks Clare Marsh for inviting me!